• David Foster Wallace’s introduction to The Best American Essays 2007 , as its editor. In typical Wallacean fashion, he spends most of the time unpacking the meaning of the collection’s title, and expounding on his selection methodology as “the Decider.”

    Part of our emergency is that it’s so tempting to do this sort of thing now, to retreat to narrow arrogance, pre-formed positions, rigid filters, the “moral clarity” of the immature. The alternative is dealing with massive, high-entropy amounts of info and ambiguity and conflict and flux; it’s continually discovering new areas of personal ignorance and delusion. In sum, to really try to be informed and literate today is to feel stupid nearly all the time, and to need help.

    (thx, kyosti)

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    8/22/2007
  • The 121 122 best foreign language films, as chosen by a variety of critics, bloggers, and professors. The list will eventually be culled down to the top 25. I’ve seen 39 of them, and want to see most of the rest.

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    8/21/2007

The 122 best foreign language films

The 121 122 best foreign language films, as chosen by a variety of critics, bloggers, and professors. The list will eventually be culled down to the top 25. I’ve seen 39 of them, and want to see most of the rest.

(6) comments | Tue, 08/21/2007 - 12:00am

Becker and Posner on government bailouts

In light of the Federal Reserve’s recent injection of $38 billion dollars into troubled financial markets as a result of the subrime loan bubble, economists Gary Becker and Judge Posner both have criticized government bailouts. My friend Matt (scary shit) put it succinctly as thus: the government is subsidizing the risk but privatizing the profit of financial institutions.

(40) comments | Sun, 08/19/2007 - 12:00am
  • Martin Scorsese on Michaelangelo Antonioni.

    At the time there were two camps, the people who liked the Fellini film and the ones who liked “L’Avventura.” I knew I was firmly on Antonioni’s side of the line, but if you’d asked me at the time, I’m not sure I would have been able to explain why. I loved Fellini’s pictures and I admired “La Dolce Vita,” but I was challenged by “L’Avventura.”

    Interesting, because superficially the films are sort of similar, but I can understand why there would be two camps. Can anyone think of any two topically similar modern day films that split film lovers into two camps?

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    8/17/2007
  • Uwe Boll responds to a negative review from Wired magazine of his latest video-game movie, Postal:

    your review shows me only that you dont understand anything about movies and that you are a untalented wanna bee filmmaker with no balls and no understanding what POSTAL is. you dont see courage because you are nothing. and no go to your mum and fuck her …because she cooks for you now since 30 years ..so she deserves it.
    people like you are the reason that independent movies have no chance anymore.
    uwe boll

    Boll is no stranger to taking on critics face-to-face, literally.

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    8/14/2007
  • Lawrence Lessig takes on Hillary Clinton for her recent vigorous defense of lobbyists. In response to her lobbyists-represent-real-Americans argument:

    But just because a system is populated with good people does[n’t] mean the system itself is not corrupt. And the problem with this system is the way it obviously queers good judgment when so much effort by politicians must be devoted to raising money in order to keep your job.

    He also talks a little about how Clinton has proven to be the least receptive candidate so far of a sane copyright policy.

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    8/14/2007
  • HBO cancels John from Cincinnati, yet is “staying in business” with David Milch. I’m not surprised, but I’m getting a little flustered with HBO’s lack of foresight.

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    8/14/2007

John from Cincinnati: Season One

Last night, John from Cincinnati wrapped up its first (and last?) season on HBO. I’m still not entirely sure what to think of it – I often felt distanced from the show due to its artifice and its love/hate relationship with verisimilitude; on the other hand, I was constantly entertained by its oddness and engaged by its rich intratextuality. For instance, an insignificant line of dialogue from an earlier episode often would be repeated many episodes later, perhaps with a slight modification, to enhance a comic or mystifying moment. These connections are not meant to be a wink towards the viewer: they are essential to the major themes of the show.

(12) comments | Mon, 08/13/2007 - 5:00am
  • Two clips from an upcoming DVD of Dan Deacon’s music synchronized with the hypercolorized-Conan-the-Barbarian video art of his colleage Jimmy Joe Roche. (via pf)

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    8/10/2007

Clips of Dan Deacon's Ultimate Reality

Two clips from an upcoming DVD of Dan Deacon’s music synchronized with the hypercolorized-Conan-the-Barbarian video art of his colleage Jimmy Joe Roche. (via pf)

(1) comments | Fri, 08/10/2007 - 12:00am
  • Xtreme Mormons. The funny thing is that if you toned down the parodic tone and dialogue, it could probably be fairly successful as LDS cinema.

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    8/2/2007