• I already have April Fool’s exhaustion (after being fooled by Improv Everwhere until about halfway through this mission), but Trent Reznor makes it funny by announcing a new digital album produced by Timbaland. It’s worth it for the album cover alone. And the name of track 2.

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    4/1/2009
  • For those of you who have the Swedish vampire film Let the Right One In coming up in your Netflix queues, you might want to know that the current DVD release has dumbed-down and sometimes inaccurate subtitles. Future pressings will have the original subtitles used in the theatrical release. This information came about a week late for me, although I still found the film to be subtle and excellent.

    (14) #
    3/31/2009
  • Obama might sign a bill next week to make Great Falls in New Jersey his first designated national park, but is this necessarily a good thing? I love me my national parks, but the linked article asks some interesting questions with respect to the purpose of giving areas this highest protective honor.

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    3/27/2009
  • For his recently released album Bromst , Dan Deacon and his crew programmed a player piano to play musical lines much faster than humanly possible, although still within certain mechanical limits. Pitchfork TV made a neat behind-the-scenes documentary about the making of the album – here is the section going into detail about the MIDI-controlled player piano. (I was a big fan of his last album Spiderman of the Rings -- Bromst is a denser listen, but it’s growing on me.)

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    3/25/2009
  • For his recently released album Bromst, Dan Deacon and his crew programmed a player piano to play musical lines much faster than humanly possible, although still within certain mechanical limits. Pitchfork TV made a neat behind-the-scenes documentary about the making of the album – here is the section going into detail about the MIDI-controlled player piano. (I was a big fan of his last album Spiderman of the RingsBromst is a denser listen, but it’s growing on me.)

    (0) #
    3/25/2009
  • It’s over — we’re officially, royally fucked.

    Is how Matt Taibbi’s long article in Rolling Stone begins, and it doesn’t get any more optimistic from there on. If you were looking to be enraged by a detailed explanation of how this whole crisis is a result of a political structure that in the past 10-15 years has constructed a system to create wealth for massive companies and the financial class, this is it.

    In the age of the CDS and CDO, most of us are financial illiterates. By making an already too-complex economy even more complex, Wall Street has used the crisis to effect a historic, revolutionary change in our political system — transforming a democracy into a two-tiered state, one with plugged-in financial bureaucrats above and clueless customers below.

    Some populist rage is needed here, but boy has it been misguided so far. (via wayneandwax)

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    3/23/2009
  • In a legal war that’s been waging since before anyone had heard of Monica Lewinsky, the ACLU of Nevada has won yet another battle in its fight for free speech rights at the Fremont Street Experience in Las Vegas.

    [ACLU attorney Allen] Lichtenstein said Ezra’s ruling means visitors to downtown Las Vegas can expect to see more “First Amendment activity that is not controlled by the Fremont Street Experience Limited Liability Company,” a private entity that contracts with the city to run the pedestrian mall.

    Great work, guys!

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    3/20/2009
  • I’ll end the week with a Dave Eggers twofer:

    1) The trailer for Away We Go, an indie-like comedy written by Eggers and his wife Vendela Vida and directed by Sam Mendes (American Beauty , Revolutionary Road). I read a draft of the screenplay a few years ago when it was called “This Must Be The Place” and found it to be quirky/cute in a Little Miss Sunshine sort of way. (via kottke)

    2) This one’s a little old, but I just heard about it. Tom Tykwer, gun shootout director extraordinaire (and of Run, Lola, Run fame), is working on a film adaptation of Eggers’s novel What is the What. I read WitW last year and I thought it was excellent – you should all read it if you haven’t yet.

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    3/20/2009
  • The actual contract giving out the AIG bonuses was publicized today, and there seems to be a consensus in the blogs I read that it’s not technically a bonus, but a retention payout. In other words, the populist anger is somewhat misplaced on the actual payouts when it should be on the market forces that supported the creation of these retention payouts in the first place. For instance, Nate at fivethirtyeight.com:

    I’m just not all that excited about confiscating the “bonuses” paid to the AIGFP employees. Rather, I’m interested in compensation and incentivization structures in general. Aggregate compensation throughout the financial services industry, I would guess, is much higher than is economically optimal… A lot of people are getting paid for what is thought to be skill but is really just luck…

    The compensation paid to AIG’s employees… is less a moral failure than a market failure. We don’t like to admit to market failures because they indict our collective judgment; instead we scapegoat and move on.

    (1) #
    3/19/2009
  • Pete Souza, Obama’s official photographer, found this photograph he took of Ronald Reagan and Mikhail Gorbachev welcoming tourists in Moscow. What makes it interesting? He believes that the tourist with the camera (who asked “pointed” questions) is current Prime Minister Vladimir Putin, then undercover for the KGB.

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    3/19/2009

A few more consumptions

I missed a few things in my “Notable 2009 consumptions, so far” post, and have one update, so here they are:

(14) comments | Thu, 03/19/2009 - 12:00am
  • D.T. Max, the writer of the New Yorker article about David Foster Wallace’s work on his third and unfinished novel, answers a few reader questions about his piece. There are few more glimpses at The Pale King :

    I don’t think characterization was what Wallace found hard in “Pale King.” There are several rich characters, among them Wallace (or his double) and a college student named Chris Fogle, who is “called to account” by one of his professors. Wallace chronicles Fogle’s story in some seventy pages. From the pages I saw, what was difficult was then setting them in motion in an interesting way, the architecture of a novel.

    (thx, ben c.)

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    3/18/2009
  • ThruYou: Seven music videos created by remixing various amateur musical YouTube submissions.

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    3/17/2009